Tenor guitar

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Top overhang trimmed

Top overhang trimmed

Back edges trimmed

Back edges trimmed

Gluing top to sides
Gluing top to sides
I am now ready to sand the linings level. It is best if one has a 24″ square sanding board covered with 80 grit paper, but most of us will have to make do with a 3″ or 4″ wide stick. The ends of the braces on the top and back should be positioned inside the outline drawn on them, if not, trim off the ones that are too long. The top and back are test fitted on the sides, then it is time to spread the glue (Titebond) all around the kerfing and end blocks. Position the plate being fastened and use as many clamps as possible. The top is glued on first and clamped down to the underside of the workboard, and allowed to dry, whereas the back is clamped in a separate procedure. The body remains free floating and the clamps applied from the top plate to the back plate. Because of the curvature of the back braces, one cannot place the back on a flat workboard and start clamping up, or else the back would be deformed. Allow 3 or 4 hours to dry. The overlapping sides can now be trimmed back.
Top and back overlaping sides
Top and back overlaping sides
Back being clamped to sides

Back being clamped to sides

Tenor guitar making

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Top and bottom lining in place

Top and bottom lining in place

bent sides,endblocks glued
bent sides,endblocks glued

The shape of the body is drawn on the workboard, and the vertical posts are placed around the perimeter at strategic spots.The bent sides are placed in the makeshift mold and spreader clamps can be placed across the sides to hold them in place while they dry. Remember that a few minutes before all this, they were immersed in a water trough before the bending started.Leave overnight before gluing in the end blocks.Careful alignment of the blocks is needed before the blocks are clamped.Do not get glue on the workboard, as we want to be able to get the side assembly out.

Kerfed lining can be cut to form on your bandsaw, or it can be supplied by luthier supply places.Select a length of it and glue it to the sides using camping pegs as clamps.Cam clamps may be needed to hold the sides vertical on to the posts.Leave to dry for 3 hours before going on to the next phase.Small pieces of kerfing may be needed to close off any shortfall.

Back braces being planed to shape

Back braces being planed to shape

Lining being glued to sides
Lining being glued to sides

After all the back braces have been glued to the back, use a small hand plane to shape them. If the braces have been precurved, be careful that you plane from the center of the back to the outer edge.The braces can then be fine sanded to 280 grit.

More tenor guitar

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Soundhole ring
Soundhole ring

There seems to be a little too much glue spread around here, but a couple of passes through the drum sander with 240 grit paper will level this ring nicely and remove the excess glue.I just love the wavy figure on this redwood top. It is time to cut out the soundhole with the circle cutter. I can use a hand held circle cutter, or the dremel tool with the router bit doing the cutting, or the circle cutter held in the vertical drill press. The latter is by far the quickest way, but a little daunting. Once the cutout is complete, hand sand the edges of the hole smooth. Cut out the bridge reinforcement plate and thickness to 3mm, draw the cross braces onto the underside of the top, position the bridge plate over the location of the saddle and bridge pins, glue the plate down to the top with the rods of the go-bar deck. The floor of the deck has a 28′ radius scouped into it. Leave to dry for several hours.

Gluing the centreseam brace

Gluing the centreseam brace

Once the back has been thicknessed, the spruce centreseam, salvaged from offcuts from the soundboard, are glued inline down the centre of the back. The locations of the back cross braces will be marked later on, and small sections are chiselled out to take the braces.Try to precut the spruce so it ends at the tail block and neck block.

Gluing done on the bridge patch

Gluing done on the bridge patch

Gluing the bridge reinforcement patch
Gluing the bridge reinforcement patch
Bandsawing out the shape

Bandsawing out the shape

Making a tenor guitar

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marking out soundhole rings
marking out soundhole rings
cutting out recesses for soundhole rings
cutting out recesses for soundhole rings
clamping the glued in rings down
clamping the glued in rings down

                   There has been a slight delay since my last post, but here I am again, continuing with my tenor guitar soundboard preparation. This is a redwood top, and it has been thicknessed down to about 2.5mm on the 16 inch drum sander.The 4″ soundhole is positioned at the end of the fingerboard. The rings are made up of thin plastic sandwiched together. A dremel tool is used with a soundhole jig attached. A 3mm hole is drilled in the soundboard to take the guide post, and the tool is swivilled around this post, cutting the recess. Careful placement of the cutter is needed to ensure an accurate fit of the rings in the recess. If the recess is wider than the cutting bit, then you will need to adjust the diameter of the cutter each time you go around.Clean out any sawdust from the recess, then fit and glue the rings in place. A wide board is needed to clamp these rings down. Allow to dry for several hours. The rings can be sanded flush under the drum sander once dry. The dremel can be used again to cut out the soundhole.Hand sand away the sharp edges of the soundhole.

acoustic guitar, tenor size

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We have been talking about acoustic guitar shapes and the variety there is. Now I am about to embark on drawing yet another guitar shape-that of a 4 string tenor .I have nothing to copy from this time, so I used my smallest parlour  guitar template, drew an outline from it and then downsized from there. I knew the body length I need from the customer, and he actually stood and watched while I drew the new outline. The scale length is 21″, 14 frets to the body. The sound hole size is going to be a full 4″, so that a standard size soundhole pickup can be used for amplification.

The neck has been drawn on this form as well, so now we can see the whole length of the guitar. It is only 34″ long. As this is only a 4 string guitar, I am not utilizing an adjustable truss rod. I will use ebony as a stiffener up the middle. There will be no dovetail joint, but a biscuit joint will join the neck to the body. This is the way I join my ukelele necks to their bodies. This is really an oversized baritone uke.

The first step to get this instrument started was to select the top wood, back and side wood, neck wood, fingerboard wood, bridge wood and edge binding. I have bandsawn the thick redwood topwood into thinner pieces, drum sanded them to the same thickness (oversize), edge sanded the 2 gluing edges, glued and clamped them in the floor clamps. Leave to dry overnight, and it will be ready to sand to thickness.

Guitar shape workboard

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3/4 inch plywood workboard

3/4 inch plywood workboard

hand circle cutter
hand circle cutter
Dremel router with circle cutting attachment

Dremel router with circle cutting attachment

2 routers and a hand purfling cutter
2 routers and a hand purfling cutter

 This acoustic guitar is going to be made on a plywood workboard with adjustable dowel posts. Any size guitar can be made on this board. The guitar is made upside down. The rosette is inlaid into the top first, the soundhole is then cut out, then the top is turned over and is placed facedown on the workboard.The braces and bridge plate are glued on, then the tailblock and neckblock, then the sides are attached with the kerfing, then the back goes on last. The neck block will have a tenon joint, and this will be bolted to the neck. Special bolts are available from Bunnings hardware, or Stewmac.com. I normally do a dovetail joint, but it requires special jigs and bits. A bolt-on neck is more manageable for a beginner. The hand circle cutter is available from Stewmac, but you have to assemble it yourself. I used mine for at least 25years. It is a great tool. If you can’t get a router, then there is the hand purfling cutter, but be warned, it is very hard going. Of course, you can make your guitar without any binding at all, and it will still look attractive (Takamine comes to mind).

Electric guitar shape

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"Anthony" starburst

Bandsawing the body shape

Bandsawing the body shape

Blank joined pieces of hoop pine

Blank joined pieces of hoop pine

                    During the last post, I talked about drawing acoustic guitar shapes.That involved freehand drawing of graceful curves.There is not too much measuring required, namely the lower bout, waist and upper bout. Check out the latest electric guitar shape that I drew from looking at a small picture. It won’t be an exact copy, but it is near enough to look the part. If you learn to make a guitar (electric), you will need to do lots of measuring to get the proportions right. This electric guitar project needed lots of straight line drawing and several opposite edges were either in line or parallel to each other. The key to getting the proportions right was to decide the scale length (string length) of the guitar, and all other measurements of the body had to relate to the fret spacings.

acoustic guitar shapes

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parlour

parlour

000 size

000 size

dreadnaught

dreadnaught

When you learn to make a guitar, you want it to sound good, and you want the shape of it to look good.Guitars of all shapes and colours have been used as a tool to attract attention for some time now. If there is a shape out there that you like, then copy it onto paper or cardboard or plywood. If you would rather have a go at drawing your own shape, then get some drawing paper (newsagents), and begin by drawing a body centerline.The length of this line will basically determine the size of the instrument. You need to mark the upper bout width, waist width, and lower bout width. The parlour guitar is the smallest shown here (photos are not quite to scale), and the dreadnaught is the largest. Once you start drawing freehand, you will soon see how tricky this process is. I was a draftsman for many years, but all my straightline drawing didn’t help much here. You need to draw fluent, elloquent lines.The jumbo guitar size is not shown here, because of the size of the wood needed to make such a guitar. You only need to draw one half of the body, because when you make the wood body template, it is flipped over on its edge to the reverse side to make an identical half.

Guitar Making Tools and Supplies

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Luthier tools

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                          The aim of this blog is to show how to make an acoustic guitar . Before we get into the nuts and bolts of it, we have to look ahead a little , to see what we will need in the way of tools required for the job ahead. It is not my aim to send people broke by investing heavily in big equipment, but rather choose a few indespensible hand tools and outsource parts of the work that requires heavier tools.

                            A solid workbench and a closed in area is a good place to start.My first guitar was made in the tropics, under a house, and I think I could count the number of tools I had on one hand. I had to leave the workbench clean after every time I used it. This first guitar took me a year to make, but it suffered I guess from being moved around so much while still in the construction phase. At that time (‘74),there were no cheap benches around, but now there are $120 ones from hardware stores.You just have to assemble it yourself. These benches are plenty big enough to do guitar work on.

                         The quickest way to make progress on making a guitar would be to purchase all the wood precut to approximate size, and then do the marking out and design. The tools you will most need are:

1. Saws: tenon saw, fretsaw, coping saw, razor saw.

2. Planes: block plane,small hand plane, spokeshave.

3. Scraper blades.

4.Clamps: wooden klempsia cam type, metal long reach ‘g’ clamps, camping pegs.

5. Knives: a selection of hobby knives.

6. Drill bits from 1/16″ to 1/2″, brad point type as well as the normal type.

7. Measuring rulers: 12″ long to 36″ long.

8.Machine square, Vernier caliper.

9. Swivelling vice. (Versa vice, USA)

10. Router, with specialist bits.

11. Sharpening equipment: diamond leveling stones.

Most of these tools are available from local hardware stores and hobby shops, but the specialist luthier tools are available from www.stewmac.com or www.australianluthiersupplies.com or www.guitarwoods.com

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